Things to consider—

Since early 2011, Obama's been waging proxy war on Syria. Imported death squads masquerade as freedom fighters. The scheme's familiar. It repeats. It reflects US imperialism's dark side. In the 1980s, CIA-recruited mujahideen fighters battled Afghanistan's Soviet occupiers. Ronald Reagan called them "the moral equivalent of our founding fathers." He characterized Contra killers the same way. —Stephen LendmanFor over a century now US ambassadors have acted as fifth columns in the nations they are embedded in, their role chiefly to foster corporate and plutocratic power and coordinate machinations against any truly pro-democratic government.•••••"The dead end identity politics of SF Pride, which sells out a peace hero like Bradley Manning to curry favor with the American ruling class, is what I had in mind. The empire loves your tameness, irrelevance and cowardice, SF Pride. You don’t bother the American ruling class — a five foot two, 105 pound soldier does because he has a conscience and because he didn’t make comfort the guiding principle of his life...." —Randy Shields
Feb 202013
 

Editor’s Note:
We take pleasure in presenting this commentary on the movie ARGO filed by our colleague Dany Schechter last year. Not entirely surprising to us, most of what he says in this piece has come to pass. —PG

By Danny Schechter

Argo: Hollywood’s New Hostage Thriller Could Inflame Tensions

Earlier this year, I was in Tehran for a conference on Hollywood’s power and impact. It was called “Hollywoodism,” featuring many scholars and critics of the values and political ideologies featured in many major movies with a focus on the way Israel (aka “the Zionists”) are continually portrayed as if they do no wrong. Continue reading »

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Jan 182013
 
bigelow5


Bigelow: The devil often wears seductive masks.

Editor’s Note: This post offers our readers two additional views on the growing debate about Zero Dark Thirty, a film liable to win some Oscars this year. The first is by David Walsh, house critic at wsws.org, a socialist organization, and, for my money,  perhaps one of the most perceptive movie evaluators in the anglophone world. As a socialist, David brings to his readers the advantage of a sophisticated class analysis, a feature that, all by itself, makes his commentary that much more insightful than the rest. The second is by Jonathan Kim, critic for ReThink Reviews and the HuffPo. Here we deal with a liberal, with all the incomprehensible and exasperating myopias of that tribe, a social tier which, while blabbing criticism always strives to keep one foot firmly planted in the system. This posture inevitably leads to confusing statements like this (pay special attention to the bolded part):

Zero Dark Thirty ignores the fact that America’s torture program inspired anti-U.S. sentiment around the world, causing many to vow revenge on the U.S. and its allies. It ignores the fact that torture scandals like Abu Ghraib caused support for the U.S. occupation in Iraq to plummet, inflaming the insurgency, prolonging the fighting, and putting U.S. troops at increased risk. It ignores the possibly irreparable damage to America’s reputation as a country that respects the rule of law. It ignores the damage torture did to America’s relationships with its allies, who became reluctant to hand over possibly valuable detainees to the U.S. for fear of being accomplices to war crimes and were furious when the U.S. detained and tortured their citizens without charge. It ignores the fact that if CIA agents such as Maya and Dan — two of Zero Dark Thirty’s “heroes” — were actual people, they deserve to be tried and convicted as war criminals under international law for their unrepentant participation in the torture of detainees. Continue reading »

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Oct 122012
 

Arkin (l) and Affleck in a scene from ARGO

TIFF*: Cultural Starwars
by Eric Walberg
Originally Posted: September 13, 2012 in Eric Walberg, politicalfilm.wordpress.com
To whom we offer our thanks.
*TIFF= Toronto International Film festival

The empire requires a nice juicy enemy to keep people’s minds off its own sins. During the Cold War, Hollywood responded admirably to the challenge, churning out anti-communist thrillers with Russian bad guys, most memorably during Reagan’s surreal presidency, when “Red Dawn” and “Rocky IV” reduced international politics to a comic book parody.

Given who the official enemy is these days, it is no surprise that the Toronto International Film Festival (TIFF), which boasts of 72 participating countries, did not include a ‘Spotlight on Iranian cinema’ this year. On the contrary, it showcased the latest serving of propaganda against Iran with the premiere of “Argo“, a docudrama depicting the escape of six US diplomats from Iran following the November 1979 seizure of the US embassy in Tehran, when 52 Americans were held hostage, and Iranian student protesters dumped US diplomatic correspondence on the street in a spectacular premodern WikiLeak. Continue reading »

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