By Patrice Greanville
The year 2012 is turning out to be a hard year for the enemies of the Empire and its tegument of lies. Death is silencing some powerful voices. In June we lost Alex Cockburn, now Vidal.
Protean in talent and interests, Gore Vidal was a complex man who did not fit under one or two labels. Contrarian by nature, an intellectual lion by any standard, and an early and calmly defiant overt homosexual with some heterosexual frissons thrown in to confuse those who like things nice and predictable, Gore Vidal cast a long and exemplary shadow on American culture for much of the 20th century. He was that rare bird: a true original writer whose public persona easily overshadowed the legacy of his own books, and he had no real competitors or imitators. Enfant terriblism defined him from the start, perhaps as the natural allergic reaction of a free spirit to the stifling parochialism, priggishness and conformity he found in American society, so it was pretty much inevitable that, despite his own ties to the native aristocracy (such as it it exists in the US), he could never resist shocking the bourgeois and the comfortable, a sport he maintained throughout his 86 unapologetic years of residence on earth. Mired in philistinism and banality, to a man like Gore Vidal America provided enormous targets.
“Everybody with an IQ above room temperature is on to the con act of our media. They are obeying bigger, richer interests than informing the public — which is the last thing that corporate America has ever been interested in doing.”—Gore Vidal
It hardly needs stating that to most of his legion of conservative critics and defamers Vidal was a degenerate, a shameless libertine, a man without decency or social restraint, a contumacious hedonist… an American de Sade. (He rightly considered such invective a mark of honor). Given this invidious billing, this crowd will probably be surprised to hear Gore Vidal described as a social moralist, but that’s what he was, for at the end of the day a true moralist in the deepest sense of the term is one who fights for the higher virtues: justice, tolerance, the advance of reason, and the triumph of compassion. All core Enlightenment values. And as Vidal said on a number of occasions (claiming no originality): a social peace not grounded in social justice is suspect.
Intermittently in self-imposed exile in Europe, whose cultural atmosphere he found much less toxic despite the surrounding decadence (which he enjoyed but also criticized), Vidal never lost sight of his self-assigned “civilizing mission” toward his own country and the obstacles that such work entailed. In this context, the performance of the American media rightly revolted him (see video interview above). Along with Herbert Schiller, Michael Parenti, Alex Carey, Noam Chomsky, Ed Herman, and the recently departed Alex Cockburn, all pioneers in media criticism in the postwar era, Vidal clearly understood the urgency of tearing down the corporate monopoly of access to the American mind as an indispensable step in the struggle to liberate his compatriots from the yoke of capitalistic mythology. When Cyrano’s Journal was finally born in 1982 as America’s first radical media review, he was extremely encouraging and supportive. (Eventualy he would become editor emeritus.)
And although the magazine did not survive long for the usual reasons that afflict undercapitalized left publications, he never lost faith in the possibility of its rebirth. Eventually Cyrano was reborn, albeit as an online political affairs monitor. Later, in 1986, another fine publication, FAIR (Fairness & Accuracy in Reporting) came to the fore as a dedicated media watchdog serving the left. In part the new outfit, much as Cyrano had been, was a response from the left to the lies and propaganda spread by the odious Reed Irvine and his misnomered Accuracy in Media (AIM), amply financed since the early 1970s by rightwing tycoons to fight what they cynically claimed to be the “media’s leftist anti-corporate bias”—an oxymoron if there ever was one.
The right was correct in assigning great value to the culture wars, and they often strove to foist Bill Buckley Jr. as Vidal’s natural equivalent. While Buckley, theatrical to the point of self-parody, and blessed with a quick wit and great media connections, was in time recognized as an intellectual provocateur of some merit, he could never begin to match the overall caliber and output of Vidal. (In fact not even Norman Mailer could and he was a lion in his own right.)
In Gore Vidal the American and international left had a unique and honorable champion. Unburdened by false modesty, he saw himself as something of a Voltaire for our age, and in that he was correct. But by character and disposition, in the sheer pleasure he derived from battling the outsize forces of privilege and obscurantism, I would say he was also very much like Cyrano de Bergerac. And like Cyrano, he leaves behind his immaculate panache.
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