FILMS: Zero Snuff Thirty

With increasing frequency we see Hollywood actioners in their new favored groove, as military thrillers, singing the tunes dictated by the Pentagon and State Department. Imperial cinema, anyone? One of the earliest of this insidious kind was “Top Gun”, which came as close as any film before or since to serve as a blatant recruitment poster.

Synopsis

(WiKi)

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Zero Snuff Thirty

by Joe Giambrone

In a time when people dread the next pseudo-political bullshit-fest that Hollywood poops out…
In an age of war, of genetic engineering, of rising fascism, of the propaganda state…
In a world gone mad with terrorism, covert proxy armies, the reign of billionaires, and Kim Kardashian…yet another jingoistic American muscle picture smells like an Oscar.

I’ve long ago given up on Hollywood providing anything in the neighborhood of a “true” story.  I’ve spoken with more than a few screenwriters who feel no obligation toward the actual objective history, or to piecing together what surely happened according to the available data.  Breezily they would prefer to toss out the facts in favor of “story.”  That’s the self-serving claim, anyway.  The reality is that history is always in second position to the “notes” of their superiors, and Hollywood scribes are simply corporate employees.  Any studio executive or producer in the chain can rewrite history at their own whim.  That is the reality of the American movie business, which few would dispute.

Enter Osama Bin Laden (boo, hiss!).  But, the first trailers for the Zero Dark Thirty snuff film actually omitted showing the dark lord bad guy, for some inexplicable reason.  Would he appear as an underdog up against the hyper-charged, well-armed younger Navy Seals?

Very much like the real history provides no actual photographic evidence that bin Laden was even there in Abbottabad, or shot that night, or dumped into the ocean.  In this film, in addition to producers and studio heads, we have the federal government giving notes and purporting to give us the truth (from a demonstrably unreliable source).

Be that as it may, we are certain to get nothing in the way of truth about whom this villain bin Laden actually was, what he did, who he worked for, and with, and what the hell he might actually have had to do – if anything – with the September 11th attacks.  Our glorious hit men are clearly the stars of this tense, gripping, riveting thriller.  Not just good Americans, but the best of the best, these gunslingers ask no questions and go anywhere to silence crucial witnesses who could provide some very damaging trial testimony.

No doubt the Dark Thirty script will provide the he-men no choice, and bin Laden will wield a bazooka while wearing a dirty bomb vest as he cackles maniacally, “Say hello to my little Jihad!  Ha ha ha.”

Maybe not.  We’ll have to wait and see.

Some disturbing subplots, which I don’t expect to find in this patriotic tale of guns and glory—

No.  Of course the Obama administration won’t be providing details to the eager filmmakers about any of that, not one whit.  Obama’s justice department (sic) actually sided with the Saudi royals and against the 9/11 victim’s families in their lawsuit.  Disclosure was thwarted, and the lawsuit dismissed on the grounds that the Saudis – whether guilty or not – enjoyed “immunity” from lawsuits by pesky citizens whose families were murdered on September 11th.

Don’t expect true stories from the US federal government, nor from the Hollywood motion picture business.  Put them both together, and surely this must be a comedy, a very dark comedy.

ABOUT THE AUTHOR
Author and filmmaker Joe Giambrone edits the Political Film Blog, where this commentary appeared.

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