NOTE: For a fuller appreciation of these images, PLEASE visit the author's site, at http://hiroyukihamada.com/1500-rakan-statues-of-mount-nokogiri/
Nokogiri means saw blade. The jagged appearance of the mountain stems from its history being a prominent stone quarry.
There certainly are indications that Japanese society is bound together, to a certain extent, with beliefs, values and norms deriving from variations of Buddhism and Shintoism.
To me, who grew up in Japan, it is natural to perceive such a traditional framework as a cohesive layer that can be loosely described as sort of "religious". It guides traditional ceremonies and rituals of life, death and spiritual, and it contributes to world views of the Japanese people in varying degrees.
30 meter tall stone carved Buddhist goddess.
However, it should also be noted that this framework really does not address fundamental existential questions for the Japanese people today. In other words, people would go along with the customary rituals as long as they facilitate their social interactions and obligations, however, as soon as they impede their material necessity, they can be set aside. Japanese society is extremely secular and the grip of the socioeconomic hierarchy over its people is very firm. After all, Japan has played a crucial role as an economic power in the western hegemony for generations after it was incorporated into the order of the American empire.
Our trip to Mount Nokogiri, however, has shown me how the abstract notion of traditional Japan has many layers that are deeply conflicting and it has had tumultuous aspects as we examine it in historical contexts.
A Stone observatory called "Hell Peek" sticks out into the air. Terrifying.
Mount Nokogiri is located in Boso Peninsula, Chiba. As you can see on a map it is relatively close to Tokyo. My wife and I visited the area once before we had our kids. I loved seeing rakan statues (stone carved arhat statues) along the path during our hike. To me they appeared as expressions of lives emanating from the area which had been regarded as sacred for many centuries.
This time, we decided to stay for a couple of nights at a nearby seaside city, Tateyama. The inn we picked had a nice view of the water and hot spring baths. Since my mother couldn't take the mountain hike, I wanted her stay to be nice as well. It was a few rustic train stops away to Mount Nokogiri.
Mount Nokogiri is also a home for the largest stone carved Buddha in Japan (31 meter tall).
I really liked riding the rural trains in the area. Going a few hours south from Yachiyo city into the Peninsula made the scenery much greener and it was fascinating to observe a glimpse of country life as we passed fields cultivated with various crops, a house sitting among trees without a discernible way to get there, huge hawks flying over us and the water visibly getting cleaner as we got closer to our destination.
The hike was magnificently wonderful. It was a bit strenuous for me, with numerous steps. But I've never felt a physical exercise to be so refreshing, so invigorating and so satisfying (in fact, it inspired me to start exercising again when I came back to the States).
I took many pictures of the small statues as we walked. If you look at the statues carefully, you will notice that the necks of them have traces of reattachment. Those statues were all violently destroyed once during the haibutsukishaku movement. As the rule of the Tokugawa shogun family ended in 1868, the new government, aspiring to be one of the imperial powers of the time, embarked on drastic reforms. One of them was a separation of Buddhism and Shintoism. Shintoism was elevated as a national religion while Buddhism was regarded as a part of the old power. There was a strong momentum to see the power of Buddhist entities as an abusive and corrupt part of the past. The accounts from the time certainly indicate that the deeds of the Buddhist class did reflect such descriptions. The result was an emergence of a large scale destructive movement across the country against anything Buddhist. As to Shintoism, it eventually ended up as the backbone of imperial Japan, propping up the Japanese emperor as a living god, prompting a direct collision with the US imperial plan over the hegemonic rule of Asia. The inhumane momentum of destruction and atrocity took many lives in Asian countries. In the name of the living god the Japanese colonizers sent young lives as suicide bombers. The colonizers of the US dropped nuclear bombs on two cities full of people in order to declare their hegemonic superiority against enemies and allies alike.
Today the Buddihist legacy in the Mount Nokogiri area is regarded as a significant cultural asset. The beautiful trails are well maintained, so are the shrines and statues for many visitors. It was breathtaking to encounter spectacular views throughout our walk. The weight of the historical layers also compounded the profound orchestration of the natural elements. The moss covered expressions of the aged statues--sad, tormented, resigned, angered, struggling, peaceful and fulfilled--were voices from the past beautifully sublimated within the harmony of nature and people.
The author's son—like most youths, fascinated with nature and the discovery of a new culture.
As we were waiting for our bus back home, a man at a tiny local restaurant insisted that we take a look at an underground imperial Japanese fortress in Tateyama. Although we couldn't extend our trip for it, according to him, a mile-long tunnel dug during WW2 is something you must not miss if you were in the area. He also mentioned that the entire Mount Nokogiri was a huge military fortress during the war. To the imperial Japan, the area, situated at the entrance to Tokyo Bay, was the last defense on the ground protecting Tokyo against the invading US forces.
Famed sculptor Isamu Noguchi said that time can heal stones in describing his stone carving process. Time can certainly give us a thrust of objectivity while natural elements can provide a layer of harmony, presenting a new way to understand what unfolds before us. Mount Nokogiri certainly stood as a sacred ground before me. The overwhelming sense of awe generously erased the scars of human atrocity.
However, it has also made me aware of myself as a captive of our time. Tateyama's imperial Japanese base is now a base for the Japanese self-defense force. The corporate media is eerily silent about the fortification of islands around Okinawa, which lies at the tip of the archipelago and houses an American military base. Japanese regulations have been changed to allow a Japanese "self-defense force," ostensibly to operate as a part of the western force against China. Those shifts coincide with the US pacific policy to counter China as an emerging economic power. And more urgently, I couldn't help being reminded of inhumane atrocities of our time--bombing campaign against people, suicide bombing, underground fortress, destruction of environment and cultural heritage and so on and so forth are all elements emerging from the western colonial wars being waged against the Middle East and elsewhere today.
Have we learned anything from the past? Our ability to see our history and events embedded in it, weaving the flow of time and space, as a unified front, as a collective part of our identity, allow us to tolerate pains of atrocity, allow us to reconcile, allow us to rebuild and allow us to be. But we do know that the significant portions of the sufferings and deaths are endured by those who are powerless. How could we allow ourselves to let the momentum of time swallow so many of our fellow humans? Why are we tolerating colonial destabilization of "other people's"? How could we close our eyes as we encounter people sleeping on streets or losing their lives because they can't afford to be healthy? Why can't we focus our hope for renewal for the people who have and will suffer the most? How could we recognize the fact that our willingness to tolerate the hierarchy of money and violence, as the shape of our species, inflicts pain against "others" and against ourselves at the same time, forcing ourselves to expect nuclear missile attacks instead of reaching out for sharing and peace?
Every time I hear people say that for things to get better, things have to get much worse, I think of what happened in Fukushima. Three nuclear meltdowns have not woken up the people. The nuclear industrial complex of Japan is firmly embedded within the war economy of the empire.
This is not the time for conflict. This is the time we need each other to see what has become of us. Let there be braveness, determination and steadfastness in renouncing the cannibalistic momentum of self-destruction. The sacred power of nature will always embrace us no matter how we will do.
BELOW: A SLIDE SHOW OF HIROYUKI'S TRIP.
Place cursor inside image to halt slide.
Hiroyuki Hamada is an artist. He has exhibited throughout the United States and in Europe and is represented by Bookstein Projects. He has been awarded various residencies including those at the Provincetown Fine Arts Work Center, the Edward F. Albee Foundation/William Flanagan Memorial Creative Person’s Center, the Skowhegan School of Painting and Sculpture, and the MacDowell Colony. In 1998 Hamada was the recipient of a Pollock Krasner Foundation grant, and in 2009 and 2016 he was awarded a New York Foundation for the Arts Fellowship. He lives and works in New York.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
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Parting shot—a word from the editors
The Best Definition of Donald Trump We Have Found
In his zeal to prove to his antagonists in the War Party that he is as bloodthirsty as their champion, Hillary Clinton, and more manly than Barack Obama, Trump seems to have gone “play-crazy” — acting like an unpredictable maniac in order to terrorize the Russians into forcing some kind of dramatic concessions from their Syrian allies, or risk Armageddon.However, the “play-crazy” gambit can only work when the leader is, in real life, a disciplined and intelligent actor, who knows precisely what actual boundaries must not be crossed. That ain’t Donald Trump — a pitifully shallow and ill-disciplined man, emotionally handicapped by obscene privilege and cognitively crippled by white American chauvinism. By pushing Trump into a corner and demanding that he display his most bellicose self, or be ceaselessly mocked as a “puppet” and minion of Russia, a lesser power, the War Party and its media and clandestine services have created a perfect storm of mayhem that may consume us all.— Glen Ford, Editor in Chief, Black Agenda Report
