On July 5, 1962, Algeria—the country that is today the largest in Africa and the central country in the area of North Africa known as the Maghrib—celebrated the end of a seven-and-a-half-year-long war for its independence. At the time, the struggle was well known to the outside world. It had been the subject of Italian filmmaker Gillo Pontecorvo’s 1966 film “The Battle of Algiers.” Heroes such as Djamila Bouhired—the central character of the 1958 film by Egyptian film-maker Youssef Chahine —and real-world spokespeople such as Frantz Fanon were equally familiar to those abroad. One of the aims of the National Liberation Front (FLN), the group that had launched the Algerian Revolution on November 1, 1954, had been to internationalize the conflict, inscribe it in the context of the Cold War to gain support in the Eastern Bloc, and bring the case up for discussion at the United Nations so that France would lose support for its occupation. In this regard, the Algerian War was a success.

The Evian agreements of March 18, 1962 and the cease-fire they instituted, ended the war between the French army and the Algerian National Liberation Army (ALN) and began a “transitional period,” which ended with the referendum of self-determination on July 1, 1962. The resounding “yes” vote led to the transfer of sovereignty from the French to the Algerian authorities on July, 3 and to the official celebration of Independence on July 5. The date of July 5th had been deliberately chosen by the Algerian provisional Government as a historical reference to July 5, 1830, when the city of Algiers had surrendered to the French occupiers: it thus marked 1962 as a reversal of French occupation, which had lasted for 132 years. A few days after the founding of the People’s Democratic Republic of Algeria, in September, Ahmed Ben Bella—its soon to be first president—declared that colonization had been “an accident in history,” and that Independence thus closed a digression, or a parenthesis, in the country’s history.


Another scene from Pontecorvo's classic The Battle of Algiers. Second from left is Saadi Yacef, FLN commander and author of memoir on which the film was based. On the right is Brahim Haggiag as FLN hero Ali la Pointe, killed by the French in 1957.


This timing of the accession to Independence meant that the French authorities were no longer (officially) present when the Algerians finally celebrated their newly gained freedom. The festivities were photogenic: many journalists photographed or filmed them, in the capital city, Algiers, and to a lesser extent in the rest of the country. According to many witnesses whom I interviewed for my book, Algérie, 1962, the Algerian authorities tried discouraging festivities from beginning before July 5, with very limited success. Many witnesses remember several days of festivities during which, they say, “even the women didn’t come back for the night” and during which revellers sometimes hopped onto a truck — lost in singing and chanting — and before they realized it, found themselves in cities far from home. Historian Ouarda Siari-Tengour insists that parties went on, almost without interruption, from the cease-fire of March 19 to the summer.

However, the celebrations were not entirely joyous, but contained a share of mourning and sadness. After the ceasefire, Algerian families began reuniting as combatants demobilized and left the maquis—the areas in which they had been fighting—or as political prisoners were freed from French prisons or detention camps and returned to their regions of origin.

French raid on the Casbah (Battle of Algiers, still)