The Unmasking of Imperialist Media by Jimmy Dore & Others is Not Just Drama

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The Unmasking of Imperialist Media by Jimmy Dore & Others is Not Just Drama


The always formidable Fiorella Isabel provides an eloquent description of the current hostility between opportunists and fake leftists (the Young Turks and their supporters and sycophants, plus a hefty contingent of pro-imperialism "breadtubers" like Vaush, Skipy the ear, etc.) and the genuine left, led by Jimmy Dore, the tireless folks at The Grayzone (Ben Norton, Aaron Maté, Max Blumenthal, and Anya Parampil), plus Eva Bartlett, Vanessa Beeley, Abby Martin, Lee Camp, Caleb Maupin and others of that caliber and dedication. In this kerfuffle, which is, as Fiorella points out, far from being a superficial and egotistical "drama" about mere personalities but a struggle for the very survival and viability of the genuine anti-imperialist left, many folks, like Kyle Kulinksy and Krystal Ball, are opportunistically sitting on the fence or actually supporting the fake leftists, thereby operating de facto as obstacles to the advance of antiwar forces.


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Who Doesn’t Love Identity Politics?

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REPOSTED DUE TO INCREASED RELEVANCY
first published Oct 8, 2018



By C.J. Hopkins
Consent Factory, Inc.


If there is one thing that still unites Americans across the ever more intellectually suffocating and bitterly polarized political spectrum our imaginations have been crammed into like rush hour commuters on the Tokyo Metro, it’s our undying love of identity politics.

Who doesn’t love identity politics? Liberals love identity politics. Conservatives love identity politics. Political parties love identity politics. Corporations love identity politics. Advertisers, anarchists, white supremacists, Wall Street bankers, Hollywood producers, Twitter celebrities, the media, academia … everybody loves identity politics.

Why do we love identity politics? We love it for many different reasons.

The ruling classes love identity politics because they keep the working classes focused on race, ethnicity, gender, sexual orientation, religion, and so on, and not on the fact that they (i.e., the working classes) are, essentially, glorified indentured servants, who will spend the majority of their sentient existences laboring to benefit a ruling elite that would gladly butcher their entire families and sell their livers to hepatitic Saudi princes if they could get away with it. Dividing the working classes up into sub-groups according to race, ethnicity, and so on, and then pitting these sub-groups against each other, is extremely important to the ruling classes, who are, let’s remember, a tiny minority of intelligent but physically vulnerable parasites controlling the lives of the vast majority of human beings on the planet Earth, primarily by keeping them ignorant and confused.

The political parties love identity politics because it allows them to conceal the fact that they are bought and paid for by these ruling classes, which, in our day and age, means corporations and a handful of obscenely wealthy oligarchs who would gut you and your kids like trout and sell your organs to the highest bidder if they thought they could possibly get away with it. The political parties employ identity politics to maintain the simulation of democracy that prevents Americans (many of whom are armed) from coming together, forming a mob, dismantling this simulation of democracy, and then attempting to establish an actual democracy, of, by, and for the people, which is, basically, the ruling classes’ worst nightmare. The best way to avoid this scenario is to keep the working classes ignorant and confused, and at each other’s throats over things like pronouns, white privilege, gender appropriate bathrooms, and the complexion and genitalia of the virtually interchangeable puppets the ruling classes allow them to vote for.


Obama with Hollywood groupie Clooney.  Clooney has been obliging in his support of imperial interventions in the Middle East, Darfur, and other flashpoints.

The corporate media, academia, Hollywood, and the other components of the culture industry are similarly invested in keeping the vast majority of people ignorant and confused. The folks who populate this culture industry, in addition to predicating their sense of self-worth on their superiority to the unwashed masses, enjoy spending time with the ruling classes, and reaping the many benefits of serving them … and, while most of them wouldn’t personally disembowel your kids and sell their organs to some dope-addled Saudi trillionaire scion, they would look the other way while the ruling classes did, and then invent some sort of convoluted rationalization of why it was necessary, in order to preserve democracy and freedom (or was some sort of innocent but unfortunate “blunder,” which will never, ever, happen again).


Identity politics has clear commercial implications, as advertisers are now recognizing the ever growing spending power of minorities and are trying to cater to them as well. (Image: Kanye West and Kim Kardashian, two well known pop celebrities.)

[dropcap]T[/dropcap]he fake Left loves identity politics because it allows them to pretend to be “revolutionary” and spout all manner of “militant” gibberish while posing absolutely zero threat to the ruling classes they claim to be fighting. Publishing fake Left “samizdats” (your donations to which are tax-deductible), sanctimoniously denouncing racism on Twitter, milking whatever identity politics scandal is making headlines that day, and otherwise sounding like a slightly edgier version of National Public Radio, are all popular elements of the fake Left repertoire.

Marching along permitted parade routes, assembling in designated “free speech areas,” and listening to speeches by fake Left celebrities and assorted Democratic Party luminaries, are also well-loved fake Left activities. For those who feel the need to be even more militant, pressuring universities to cancel events where potentially “violent” and “oppressive” speech acts (or physical gestures) might occur, toppling offensive historical monuments, ratting out people to social media censors, or masking up and beating the crap out of “street Nazis” are among the available options. All of these activities, by herding potential troublemakers into fake Left ghettos and wasting their time, both on- and off-line, help to ensure that the ruling classes, their political puppets, the corporate media, Hollywood, and the rest of the culture industry can keep most people ignorant and confused.

Oh, and racists, hardcore white supremacists, anti-Semites, and other far-Right wing nuts … my God, do they love identity politics! Identity politics are their entire worldview (or Weltanschauung, for you Nazi fetishists). Virtually every social, political, economic, and ontological phenomenon can be explained by reducing it to race, ethnicity, religion, or some other simplistic criterion, according to these “alt-Right” geniuses. And to render everything even more simplistic, each and every one of their simplistic theories can be subsumed into a meta-simplistic theory, which amounts to (did you guess it?) a conspiracy of Jews.

The fake Left loves identity politics because it allows them to pretend to be “revolutionary” and spout all manner of “militant” gibberish while posing absolutely zero threat to the ruling classes they claim to be fighting.
According to this meta-theory, this conspiracy of Jews (which is headquartered in Israel, but maintains offices in Los Angeles and New York, from which it controls the corporate media, Hollywood, and the entire financial sector) is responsible for … well, anything they can think of. September 11 attacks? Conspiracy of Jews. Financial crisis? Jews, naturally. Black on Black crime? Jews again! Immigration? Globalization? Gun control laws? Abortion? Drugs? Media bias? Who else could be behind it all but Jews?!

See, the thing is, there is no essential difference between your identity politics-brainwashed liberal and your Swastika-tattooed white supremacist. Both are looking at the world through the lens of race, gender, sexual orientation, religion, or some other type of “identity.” They are looking through this “identity” lens (whichever one it happens to be) because either they have been conditioned to do so (most likely from the time they were children) or they have made a conscious choice to do so (after recognizing, and affirming or rejecting, whatever conditioning they received as children).

Quantum physicists, Sufi fakirs, and certain other esoterics understand what most of us don’t, namely, that there is no such thing as “the Truth,” or “Reality,” apart from our perception of it. The world, or “reality,” or whatever you want to call it, is more than happy to transform itself into any imaginable shape and form, based on the lens you are looking at it through. It’s like a trickster in that regard. Look at “reality” through a racist lens, and everything will make sense according to that logic. Look at it through a social justice lens, or a Judeo-Christian lens, or a Muslim lens, or a scientific or a Scientologist lens, or a historical materialist or capitalist lens (it really makes no difference at all) … and abracadabra! A new world is born!

Sadly, most of us never reach the stage in our personal (spiritual?) development where we are able to make a conscious choice about which lens we want to view the world through. Mostly, we stick with the lens we were originally issued by our families and societies. Then we spend the rest of our fleeting lives desperately insisting that our perspective is “the Truth,” and that other perspectives are either “lies” or “errors.” The fact that we do this is unsurprising, as the ruling classes (of whatever society we happened to be born and socialized into) are intensely invested in issuing everyone a “Weltanschauung lens” that corresponds to whatever narrative they are telling themselves about why they deserve to be the ruling classes and we deserve to exist to serve them, fight their wars, pay interest on their loans, not to mention rent to live on the Earth, which they have claimed as their own and divided up amongst themselves to exploit and ruin, which they justify with “laws” they invented, which they enforce with armies, police, and prisons, which they teach us as children to believe is “just the way life is” … but I digress.

So, who doesn’t love identity politics? Well, I don’t love identity politics. But then I tend to view political events in the context of enormous, complex systems operating beyond the level of the individuals and other entities such systems comprise. Thus I’ve kind of been keeping an eye on the restructuring of the planet by global capitalism that started in the early 1990s, following the collapse of the U.S.S.R., when global capitalism (not the U.S.A.) became the first globally hegemonic system in the history of aspiring hegemonic systems.

Now, this system (i.e., capitalism, not the U.S.A), being globally hegemonic, has no external enemies, so what it’s been doing since it became hegemonic is aggressively destabilizing and restructuring the planet according to its systemic needs (most notably in the Middle East, but also throughout the rest of the world), both militarily and ideologically. Along the way, it has encountered some internal resistance, first, from the Islamic “terrorists,” more recently, from the so-called “nationalists” and “populists,” none of whom seem terribly thrilled about being destabilized, restructured, privatized, and debt-enslaved by global capitalism, not to mention relinquishing what remains of their national sovereignty, and their cultures, and so on.

I’ve been writing about this for over two years, so I am not going to rehash it all in detail here (this essay is already rather long). The short version is, what we are currently experiencing (i.e., Brexit, Trump, Italy, Hungary, et cetera, the whole “populist” or “nationalist” phenomenon) is resistance (an insurgency, if you will) to hegemonic global capitalism, which is, essentially, a values-decoding machine, which eliminates “traditional” (i.e., despotic) values (e.g., religious, cultural, familial, societal, aesthetic, and other such non-market values) and replaces them with a single value, exchange value, rendering everything a commodity.

The fact that I happen to be opposed to some of those “traditional” values (i.e., racism, anti-Semitism, oppression of women, homosexuals, and so on) does not change my perception of the historical moment, or the sociopolitical, sociocultural, and economic forces shaping that moment. God help me, I believe it might be more useful to attempt to understand those forces than to go around pointing and shrieking at anyone who doesn’t conform to my personal views like the pod people in Invasion of the Body Snatchers.

But that’s the lens I choose to look through. Maybe I’ve got it all assbackwards. Maybe what is really going on is that Russia “influenced” everyone into voting for Brexit and Donald Trump, and hypnotized them all with those Facebook ads into hating women, people of color, transsexuals, and the Jews, of course, and all that other “populist” stuff, because the Russians hate us for our freedom, and are hell-bent on destroying democracy and establishing some kind of neo-fascist, misogynist, pseudo-Atwoodian dystopia. Or, I don’t know, maybe the other side is right, and it really is all a conspiracy of Jews … transsexual, immigrant Jews of color, who want to force us all to have late-term abortions and circumcise our kids, or something.

I wish I could help you sort all that out, but I’m just a lowly political satirist, and not an expert on identity politics or anything. I’m afraid you’ll have to pick a lens through which to interpret “reality” yourself. But then, you already have, haven’t you … or are you still looking through the one that was issued to you?

#

CJ Hopkins
October 8, 2018
Photo: The United Colors of Benetton

 


CJ Hopkins Summer 2018 thumbnailABOUT THE AUTHOR
DISCLAIMER: The preceding essay is entirely the work of our in-house satirist [Consent Factory] and self-appointed political pundit, CJ Hopkins, and does not reflect the views and opinions of the Consent Factory, Inc., its staff, or any of its agents, subsidiaries, or assigns. If, for whatever inexplicable reason, you appreciate Mr. Hopkins’ work and would like to support it, please go to his Patreon page (where you can contribute as little $1 per month), or send your contribution to his PayPal account, so that maybe he’ll stop coming around our offices trying to hit our staff up for money. Alternatively, you could purchase his satirical dystopian novel, Zone 23, which we understand is pretty gosh darn funny, or any of his subversive stage plays, which won some awards in Great Britain and Australia. If you do not appreciate Mr. Hopkins’ work and would like to write him an abusive email, please feel free to contact him directly.


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Rachel Maddow “Is Not News” Says Court Ruling!

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Rachel Maddow "Is Not News" Says Court Ruling!


Annotated by Patrice Greanville


July 1, 2021

Although both Jimmy Dore and Glenn Greenwald find little to criticize in the judge's ruling, taking it as legal certification of Rachel Maddow's worthlessness as a "news provider", all of them may be missing the point. The judge is acting—in my view— a bit disingenuously. Her opinion packs several errors that vitiate its meaning. No one expects the judge to rule with the depth and precision of a sophisticated media analyst, let alone a genuine left media analyst. But even for those like us on the left happy to find an "official" seal corroborating what we have always said, that Maddow is toxic trash, the judgment obfuscates much more than it elucidates. It is not really helpful to truthseekers fighting the establishment narrative. Consider the following:


  • 1. The judge underestimates the power of "confirmation bias" and the gullibility factor.  Most Maddow fans—people we could reliably describe as brainwashed liberals suffering from acute Trump derangement syndrome— completely agree with her claims and assertions. They've been primed to do so. Such people do not have, as the judge claims, high discriminatory power, the ability to easily tell ludicrous exaggerations and outright lies from credible statements. They are actually low-info consumers who appear happy swallowing Maddow's river of imperialist lies. 

  • 2. Maddow and others of her rank and ilk working in "news organizations" in the Western media are not there to provide news but disinformation designed to bolster the credibility of the official narrative propping up the global imperialist system, that is, the rule of a grotesquely small sociopathic and uber rich oligarchy. The judge's ruling, claiming that Maddow and her ilk are "news providers" completely misreads the nature of imperialist mass communications. Using "the news" as a platform for lies is not journalism. 

  • 3. Maddow and her ilk engage most of the time not just in "exaggerations" but in big lies, complete fabrications. As a rule exaggerations do not negate their basic content.  Hence they cannot be dismissed as incapable of conveying actionable meaning. If I say, "He ate until he burst", I am using hyperbole, but the fact remains that "he" ate a lot.  The Judge errs in letting Maddow off the hook on account of exaggerations. There's a qualitative distinction here, but the important point is that both types of expression—gross exaggeration and outright lies can be used sneakily to commit grand deception. That's why Maddow is first and foremost a dangerous paid propagandist whose underhanded warmongering mission on behalf of the imperialist establishment makes her doubly repugnant and reprehensible. 
—The Editor
—The Editor

 


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What America has taught the world about democracy

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Metallic Man
OpEds

A brutal but largely irrefutable assessment of US realities and intentions, a nation immersed for centuries in self-flattering myths of its own creation, albeit myths that conveniently favor the ruling oligarchy. 
—The Editor
—The Editor




image_pdf

Can you believe that the morons in the American “news” media, the assholes in Washington DC, and the “talking heads” all still refer to America as a “democracy”.  Really! Seriously!

It’s a de facto Military Empire.
It’s the largest Military Empire in history. And it lives for war. The vast budget of America is devoted to…
…wait for it…
…war!

Ah…

Which goes to show you just how stupid and idiotic America is today. It’s no longer a matter of being delusional. It’s a matter of pure and utter insanity and stupidity.

The American government would look quite different if it was focused on serving the needs of it’s people. It would look something like this…

But you know, people are slowly waking up. It only took them all until the nation is teetering at the edge of the cliff to notice, but well, better late than never. Don’t you know.

I initially found this on MoA in the comment section. It’s pretty good and I expounded upon it. It was originally found on Zero Hedge alongside the rest of the COVID nonsense that is day-to-day fodder in the “alternative” media.

Ah. You know what I am talking about; that Coronavius is just an excuse for more government powers.

Yup. It’s a comfortable narrative.

Far easier to digest than the truth; that the Coronavirus was a part of a multi-stage bio-weapons attack against China on CNY that went “tits up”.

go tits up [1] rude slang To break or malfunction; to die, fall apart, or cease to work. (A play on the phrase "go belly up." "Tits up" is sometimes hyphenated.) [2] rude slang By extension, to have a poor, undesired, or ruinous outcome; to fail completely or not come together at all.


Nevertheless, the obvious points that he had made are worthy of consideration, and at that, I have expounded upon that comment and added my very own “two cents”.

Here are Ten Things We Have Learned …. about American (and United States) government, democracy and the superiority of “the American way of life”, “freedom” and “liberty”…

1. The American political system is hopelessly corrupt.

It is irredeemably corrupt. Virtually all politicians are hopelessly corrupt. No political party can be trusted. They all can be, and have been, bought. They serve themselves, pretend to work in the interests of the nation while all the time acting as the "bag men" for the oligarchy.

2. Democracy is a sham.

It has been a sham for a very long time. There will never be any real democracy when money and power amount to the same thing. The Founding Fathers who wrote the Federalist Papers were absolutely correct. A Republic tends to turn into a Democracy. A Democracy tends to turn into an Oligarchy, and an Oligarchy tends to devolve into a Military Empire if left unchecked. America is an oligarchy ruled military empire. It hasn't been a democracy for centuries.

3. The system will stop at nothing to hold on to its power and, if possible, increase its levels of control and exploitation.

It has no scruples. No lie is too outrageous, no hypocrisy too nauseating, no human sacrifice too great. Those in power are psychopaths, surrounded by psychopathic toadies, and empowered by a corrupt well-established "good old boys" network.

4. So-called radical movements are usually nothing of the sort.

From whatever direction they claim to attack the system, they are just pretending to do so. These "radical movements" are just useful tools of the oligarchy, and serve to channel discontent in directions which are harmless to the power clique and even useful to its agendas.

5. Any “dissident” voice you have ever heard of through corporate media is probably a fake.

The system does not hand out free publicity to its actual enemies. The entire media machine is owned, run, funded (either directly or indirectly) by the government, or it's controlling interests; the oligarchy. Real and actually dissident voices are silenced through technological means, or barring that, killed outright.

6. Most people in our society are cowards.

They will jettison all the fine values and principles which they have been loudly boasting about all their lives merely to avoid the slightest chance of public criticism, inconvenience or even minor financial loss. Additionally, most American people have a price, and they will sell their soul, their businesses, their families and their futures for financial gain.

7. The mainstream media is nothing but a propaganda machine for the system…

...and those journalists who work for it have sold their sorry souls, placing their (often minimal) writing skills entirely at the disposition of Power. There are no longer any true dissident voices, or real journalism. Those that try to practice it must rely on social networks to get their messages heard, and the government, in one way or the other, controls all social media.

8. Police are not servants of the public…

...but servants of a powerful and extremely wealthy minority which seeks to control and exploit the public for its own narrow and greedy interests.

9. Scientists cannot be trusted.

They will use the hypnotic power of their white coats and authoritative status for the benefit of whoever funds their work and lifestyle. He who pays the piper calls the tune. And they all live for government funding. Either direct, or though an NGO that is supervised through the government.

10. Progress is a misleading illusion.

The “progress” of increasing automation and industrialization does not go hand in hand with a progress in the quality of human life. Rather, it is becoming increasingly evident, that it will tend to “progressively” reduce it to the point of complete extinction unless managed expertly and adroitly.

So… is “black”, actually “white”?

There is a percentage of the population in America that is waking up to the fact that the American government is corrupt. That it controls all media, not just the mainstream media, and that “alternative” media outlets are all corrupted. And the beloved alternatives are now, themselves part of the government narrative.

To check who is who…

See which of your favorite “alternative media” sources are parroting the government line. Let’s use this one; “China is the source of Coronavirus, and they are covering it up.”

Any “alternative media” that repeats some form of this narrative, is a de facto arm of the American government.

When they should really be talking about how neocon John Bolton (psychopathic neocon) was put in charge of the bio-weapons office in 2017.

When anyone is talking about Coronavirus being a bio-weapon but omits this most critical piece of information should tell you reams about what your source of information is. That’s like buying a new automobile without wheels, an engine, and a steering wheel.

If you cannot see that your beloved “alternative media” are simply parroting one of three key media talking directions, then you too… must be… a sheeple.

And while I am at it…

How all that “dangers of 5G” working out now?

Why, all the news articles about it all suddenly came to an end when American companies were able to compete against the Chinese lead in 5G technology. Imagine that! What a coincidence!

Who was promoting the “don’t use 5G” narrative?

  • Rush Limbaugh
  • Hall Turner
  • FOX News

The ones who promoted the government narrative, are themselves agents of the government.

Remember, boys and girls, your most beloved “alternative media” are just mouthpieces of the government. That way they control your actions and your behaviors by controlling yourfavorite news outlets. They construct one of three narratives and you end up following the narrative that appeals to what you want to believe.

Meanwhile, what is actually going on is hidden from sight.

Alt-Right

“It’s the evil Chinese. They mishandled a bio-weapon that they stole and are covering it up.”

Mainstream

“Everything is just fine, and America will recover soon.”

Alt-Left

“Don’t be afraid. Everything is under control and the Coronavirus is being tracked.”

Conclusion

I need a beer.

Is there any American out there in MM land that disagrees with this appraisal? If so, I would love to hear your thoughts on this matter. Personally, I found it “on point” and accurate. But then again, I have a “bone to pick” with the USA, so I am biased.

And with that in mind, let me close with a short video that I made of my life here in China. It’s all of a few minutes long and worth the while for you all to have some perspective what things are like…

…for me on the outside looking into the house of madness that the USA is today. The video is HERE. 150MB.

To understand what is going on inside of the forest, you need to step out of it, climb a nearby hill and look at the bigger picture. There, from that vantage point, you will be able to see a much clearer and bigger picture of what is going on.

Forest Fire.




Do you want more?

You can find more articles related to this in my latest index; A New Beginning. And in it are elements of the old, some elements regarding the transition, and some elements that look towards the future.

The author is an American expat living in China—of his own volition. 

New Beginnings .

Articles & Links

Master Index .

  • You can start reading the articles by going HERE.
  • You can visit the Index Page HERE to explore by article subject.
  • You can also ask the author some questions. You can go HERE to find out how to go about this.
  • You can find out more about the author HERE.
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Our main image motif: Painted by famed Mexican muralist Diego Rivera, Glorious Victory is a critical and condemnatory view of the 1954 CIA coup of Guatemala’s democratically elected president Jacobo Árbenz Guzmán. The United States removed Árbenz from power and replaced him with a dictatorial military commander because Árbenz threatened the landholdings of the United Fruit Company with his agrarian reform laws.


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Walter Cronkite and the US news media (Revisited)

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By David Walsh • wsws.org 
20 July 2009

Preface: The global crisis entrapping humanity in a trifecta of political and economic evils, ecocidal policies, and bizarre health threats is accentuating day after day the role played by the capitalist media in facilitating and aggravating this infernal situation. This article highlights the degeneration of the corporate media, a useful account even if its moral and functional disintegration dates back at least 50 years before Walter Cronkite came on the scene, only to become a brand, "CBS anchor for The CBS Evening News, "the most trusted man in America", yada yada yada. Fact is, Cronkite or no Cronkite, the US media—posing as journalistic resources—never served the people. But what in the age of Cronkite was simply mediocre, thinly-veiled complicit journalism by the mainstream media has now become a broad daylight scandal, a whorehouse of collaboration with imperialist power. David Walsh, a distinguished Marxist geopolitical and cultural analyst, is able in this dispatch to diagnose in a comprehensive manner the sociopolitical undercurrents that explain this malignant evolution. —PG


THIS IS A REPOST. FIRST PUBLISHED ON 20 JULY 2009.
Walter Cronkite, a fixture in a great many American homes as host of the CBS evening news from 1962 to 1981, died in New York City July 17 at the age of 92.

Inevitably, a good deal of what is being said about Cronkite in the American media is self-congratulatory and self-serving. In part, the various commentators overpraise the former CBS newsman, painting him as the soul of objectivity and insight, in hopes that a little of the television networks’ former “glory,” by extension, will render the present deplorable and discredited state of broadcast journalism more attractive.

There is also no doubt a nostalgic longing within elements of the media, without the intelligence or moral capacities that would be needed to make it something more than a vague wish, for a return to a time when television reporters were looked upon, with a certain amount of justice, as individuals of substance.

The decline in the quality and seriousness of the television news programs over the past several decades has been accompanied by an astonishing drop in viewership. In 1980, the year before Cronkite gave up his evening news slot at CBS, total viewership of the evening news programs on CBS, NBC and ABC was 52.1 million, and 42.3 percent of US households tuned in to the programs.

Over the past quarter-century the number of viewers for the networks’ evening news has fallen approximately one million per year. In 2008, some 22.8 million viewers watched the programs, a decline of 53 percent since 1980. Only 15.6 percent of American households tuned in to the programs, down 61 percent in the same period. Moreover, the median age of nightly news viewers was 61.3 years for all three network newscasts in 2008.

A Gallup poll at the end of December 2008 found that for 31 percent of Americans, the Internet is now a daily news source, a 50 percent increase since 2006.

The network news programs, concoctions of superficial “sound bites,” half-truths and outright pro-government and pro-military propaganda, fully deserve their ratings crisis. The cable channels, which have gathered their own following, are no alternative, having concentrated their recruiting efforts, it would seem, on well-coiffed, but otherwise unprepared men and women quite at a loss when anything interrupts their carefully rehearsed presentations.

Analyzing the extent to which Cronkite represented something different, and better, involves considering how the US political and media establishment as a whole has shifted in the past several decades, under conditions of the decline of American capitalism in global economic terms. Different historical periods produce different public personalities.

The repudiation of New Deal or even Kennedy-like liberalism and the relentless war on the remnants of the welfare state, as well as the spelling out of—and acting upon—the doctrine of the unlimited right of American imperialism to use force wherever and whenever it likes (the so-called Bush Doctrine, pursued as well in all its important aspects by the Barack Obama administration), calls “from the vasty deep” a different sort of human type than that represented by Cronkite. Today’s anchor people, paid vast sums of money, without important knowledge or scruples, conduits for the “official story” in virtually every case, are a sorry lot.

Cronkite emerged as a reporter under different historical conditions. The son of a dentist, born in St. Joseph, Missouri on the eve of US entry into World War I, Cronkite initially pursued journalism in the middle of the Depression in Houston, Texas. After a brief stint in radio back in Missouri, he went to work for United Press (UP), the news service, becoming a World War II correspondent. Cronkite covered a number of critical battles, including the invasion of Normandy in June 1944 and the Battle of the Bulge.

After the war, significantly, he was the chief UP correspondent at the Nuremberg war crimes trials of Nazi leaders; Cronkite also served a stint as the wire service’s Moscow bureau chief.

Cronkite’s career in television, where he was truly to make his name, began in 1950, when he was invited to join CBS News by Edward R. Murrow. Prior to and during the war, Murrow gathered around him at CBS a number of talented journalists, including William L. Shirer (future author of The Rise and Fall of the Third Reich); Eric Sevareid, who had had contact with the left in Minneapolis as a student; Charles Collingwood, who would be an outspoken critic of McCarthyism; Howard K. Smith, a fixture at CBS and later ABC until the late 1970s; Richard Hottelet, another UP correspondent, who remained with CBS News for 41 years; Larry LeSueur, who wrote a book about his experiences on the Russian front, “Twelve Months That Changed the World,” and others.

On top of the desperation and upheaval of the Depression, and the New Deal, a number of these reporters experienced fascism in Europe in a personal and intimate fashion.

In 1940 Smith interviewed Hitler at his retreat in Berchtesgaden, along with Himmler and Goebbels. When he refused to include Nazi propaganda in his reports, the Gestapo seized his notes and threw him out of the country. Hottelet was arrested by the Nazis as a suspected spy at the outset of World War II, and imprisoned for four months. 

These individuals went through and were marked by genuine and significant experiences. Cronkite too came of age intellectually at that time. Having reported on great events, he and the others had a certain conception of being a newsman—as an exposer of truths and big injustices—and even a capacity for moral outrage.

The narrow postwar political framework, however, within which these individuals would subsequently be obliged to operate was established early on. In 1947, Shirer, perhaps the most talented of the crowd, was forced out at CBS, without Murrow’s coming to his assistance, for criticizing the Truman Doctrine (that the US, as leader of the “free world,” must lead a worldwide crusade against communism) and the network’s kowtowing to corporate sponsors. Shirer was named in Red Channels, the anti-communist tract published in 1950, and blacklisted for all intents and purposes.

Cronkite was not of that stature. He apparently found no great difficulty in accepting the limits set by the American establishment during the Cold War. He was known to be critical, as was Murrow, of Senator Joseph McCarthy and the anti-communist witch-hunting, but he made a career for himself nonetheless.

He began doing the news for a CBS station in Washington, D.C, and by 1953 he was appearing on nationally aired public affairs programs. Cronkite narrated the first episode in the semi-documentary series You Are There in February of that year.

The program, which made use of a number of blacklisted actors and writers (including Walter Bernstein and Arnold Manoff in the latter category), as well as several future feature film directors (Sidney Lumet, John Frankenheimer and Bernard Girard), recreated famous historical events, with CBS News reporters, in modern dress, interviewing the various participants. Each program would end with Cronkite intoning, “What sort of day was it? A day like all days, filled with those events that alter and illuminate our times... and you were there.” As pompous as this may sound, the program had an undeniable gravitas.

It may be that Cronkite eventually became the anchor on the CBS evening news program precisely because he was something of a lowest common denominator. In late 1961 competition for the job emerged between Collingwood, Sevareid and “the outsider, Walter Cronkite,” journalist David Halberstam notes in his The Powers That Be (2000).

Halberstam argues that Cronkite’s “style was now more compatible with what the show needed. His roots were in the wire service, he was the embodiment of the wire-service man sprung to life, speed, simplicity, scoop, a ten-minute beat ... He came through to his friends and to his listeners alike as straight, clear, and simple, more interested in hard news than analysis. ... He looked like Middle America, there was nothing slick about his looks (he was the son of a dentist in St. Joe, Missouri, and his accent was midwestern). He was from the heartland, and people from the Midwest are considered trustworthy, they are of the soil rather than of the sidewalks, and in American mythology the soil teaches real values and the sidewalks teach shortcuts.”

Cronkite retained the anchor job at CBS for nearly twenty years, famously announcing the death of John F. Kennedy in November 1963, along with other traumatic events of those explosive decades. In February 1968, in the wake of the Tet Offensive, in which Vietnamese nationalist forces stunned the US military, Cronkite toured the southeast Asian country and on his return reported his “personal” conclusions to his viewers:

“For it seems now more certain than ever that the bloody experience of Vietnam is to end in a stalemate. This summer's almost certain standoff will either end in real give-and-take negotiations or terrible escalation; and for every means we have to escalate, the enemy can match us, and that applies to invasion of the North, the use of nuclear weapons, or the mere commitment of one hundred, or two hundred, or three hundred thousand more American troops to the battle. And with each escalation, the world comes closer to the brink of cosmic disaster. ...

“[I]t is increasingly clear to this reporter that the only rational way out then will be to negotiate, not as victors, but as an honorable people who lived up to their pledge to defend democracy, (sic) and did the best they could.”

President Lyndon Johnson is alleged to have watched the program and commented, more or less, “If I've lost Cronkite, I've lost the country.” In the midst of growing anti-war sentiment and turmoil, Johnson announced his decision not to run for another term as president on March 31.

Later, in 1968, Cronkite grew visibly angry over the brutal treatment of anti-war protesters outside the Democratic national convention in Chicago at the hands of city police and referred to the latter as “thugs.” Around this time, Cronkite was voted “the most trusted man” in America.

The technological transformation of the evening news during Cronkite’s tenure (at the time he became anchorman, the CBS evening news was a 15-minute broadcast produced in primitive conditions) and its sociological transformation into a critical instrument for shaping and manipulating public opinion on a daily basis, are subjects for a separate discussion.

Inevitably, no one in his position escapes becoming an institution, and there is no need to portray Cronkite in unduly glowing colors. He was, in the end, a figure of the liberal establishment. His oft-noted enthusiasm for the US space program (he also reported on the landing of the first man on the moon 40 years ago), while no doubt genuine, seemed motivated as well by the desire to see Americans unified around something “uplifting” in a period of discontent and strife. Still, one can also see in his excitement over space exploration a genuine belief and confidence in science and progress.

Cronkite lived through or witnessed significant and world-changing events, the Depression, fascism in Europe, the war, the McCarthyite purges, as well as the civil rights movement and the upheavals of the late 1960s and early 1970s. He clearly maintained, and this is now almost entirely lost in the American media, a democratic sensibility and a feeling for ordinary people.

In Reporting America at War (Michelle Ferrari and James Tobin, 2003), for example, Cronkite is quoted in the following manner: “I think it’s one of the reasons why news people, as a group, are inclined to be more liberal than others. They live with the common people. I’m talking about the beat reporters. This isn’t true of anchor people today or of editors sitting back in the home office. But those who are out there with the people understand a great deal more about what the average man and woman have to live through.

“I think that, in some ways, the high pay of editors and anchor people today is unfortunate, because it has removed them from the actual environment of the working man in America. In my early days as a reporter, our salaries were equivalent to a fireman’s, a policeman’s, a stock clerk’s and those were the people we drank with in the evening. Those were the people whose budget problems we understood.”

In the comments he also criticized the increasing determination of the US military to suppress the truth about its interventions. He noted that “any war situation ... is the most intimate commitment that the American government can make of its people. ... We need to know every detail about how they [US troops] are performing in our name, both when they perform well and when they perform badly. It’s most important when they perform badly, as a matter of fact. So war should be covered intimately.”

He went on: “Today we have no independent film of the [1991] Persian Gulf War—none—because our correspondents, our film crews, were not permitted to go out on the front with the troops. They should have been. The tape they shot should have been sent back to censorship. If it couldn’t be released immediately, at least it would be held for eventual release and for history. We don’t have that history now. That history is lost to us. It’s a crime against the democracy.” 

The processes Cronkite refers to have qualitatively deepened and worsened. There is no news coverage worth speaking about of the neo-colonial wars in Iraq and Afghanistan, and the US media has become little more than an arm of the state and the military.

The author also recommends:

Exit NBC anchor Tom Brokaw: a nonentity in the service of wealth and power




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David Walsh is senior cultural and cinema critic for wsws.org, a Marxian publication. 


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