THIS IS A REPOST
ROBERT PARRY—First, there was the ascendance of propaganda over truth. The U.S. government was well aware of the gross human rights crimes of the Afghan “muj” but still sold them as honorable “freedom fighters” to the American people. Second, there was the triumphalism of Gates and other war hawks, who insisted on rubbing Moscow’s nose in its Afghan defeat and thus blocked cooperation on a negotiated settlement which held out the promise of a less destructive outcome.
KULTURKAMPF
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THOMAS FAZI—Javier Milei, Argentina’s self-styled “anarcho-capitalist” president, enjoys an almost Christ-like status among heterodox conservatives and MAGA-style Right-wingers, almost on a par with Trump himself. Like lovestruck teenagers, a certain type of conservative drools over Milei’s over-the-top mannerisms and “based” speeches against “libtards” and “communists”.
There is, however, a problem: aside from his questionable hairstyle and swamp-draining rhetoric, Milei actually has very little in common with Trump. For all his faults, Trump stood on a platform that rejected the neoliberal orthodoxy that had defined the Republican Party ever since the Reagan era. Trump’s agenda, by contrast, was markedly anti-libertarian: he advocated economic nationalism and protectionism, lambasted globalisation, promised to protect social welfare programmes, vowed to support local industries, and even courted the labour movement.
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The crowning triumph of a career cut tragically short, the final film from Larisa Shepitko won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late Soviet cinema. In the darkest days of World War II, two partisans set out for supplies to sustain their beleaguered outfit, braving the blizzard-swept landscape of Nazi-occupied Belorussia. When they fall into the hands of German forces and come face-to-face with death, each must choose between martyrdom and betrayal, in a spiritual ordeal that lifts the film’s earthy drama to the plane of religious allegory.
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Governments in certain countries, with the support of Big Pharma and the media, are mandating that citizens must vaccinate or be denied the right to enjoy public amenities in society, such as restaurants, cinemas, night clubs, museums, sporting events, etc. Those who wish to travel may be barred by not having documentation of being fully vaccinated. Probably worst of all, people are being fired from their jobs for refusing vaccination. These people who are fearful of the vaccines, in particular the mRNA vaccine, are being denigrated by calling them anti-vaxxers.
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Journalists Attack the Powerless, Then Self-Victimize to Bar Criticisms of Themselves
35 minutes readGLENN GREENWALD—Journalists with these outlets wield immense power and influence. These are not the voiceless, marginalized, powerless people in society. They’re the ones who attack, expose and ruin marginalized people if they dare express political views of which these journalists disapprove.
It is not just morally repugnant but quite dangerous for them to try to place themselves off limits from criticism this way. The whole point of journalism — the reason why a free press is vital — is because it is the only way to hold accountable powerful institutions and powerful actors. Corporate media outlets and those they employ as reporters are among the most powerful and influential actors in society and, as such, are completely fair game for criticisms, protests, and denunciations.
What they are trying to do by exploiting the language of oppression and marginalization to cast themselves as vulnerable victims who cannot be criticized is despicable.