2022

Many politicians, particularly from the United States, have portrayed Sharon as a “peacemaker” who gave concessions on Jewish settlements in Palestinian territory to pursue peace with the Palestinians. President Barack Obama issued a statement on Sharon’s death where he stressed the United States’ “unshakable commitment to Israel’s security” and at the same time said the U.S. would “strive for lasting peace.”

U.S. Secretary of State John Kerry said Sharon “surprised many in his pursuit of peace,” and even praised Sharon’s “lifelong convictions” for a peace process. United Nations Secretary-General Ban Ki-Moon praised Sharon’s “political courage and determination” in his “painful and historic decision to withdraw Israeli settlers and troops from the Gaza Strip.” Tony Blair claimed Sharon “didn’t think of peace as a dreamer, but did dream of peace” and “sought peace with…iron determination.”

These shibboleths cannot disguise the truth. Since the 1970s, Sharon was one of the chief architects of the Israeli settlement of the West Bank, East Jerusalem and the Golan Heights region. He was given the moniker “father of the settlements.”

The crowning triumph of a career cut tragically short, the final film from Larisa Shepitko won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late Soviet cinema. In the darkest days of World War II, two partisans set out for supplies to sustain their beleaguered outfit, braving the blizzard-swept landscape of Nazi-occupied Belorussia. When they fall into the hands of German forces and come face-to-face with death, each must choose between martyrdom and betrayal, in a spiritual ordeal that lifts the film’s earthy drama to the plane of religious allegory.