A P P E N D I X Douglas MacArthur and US imperialism whitewashed in films Douglas MacArthur, an egotistic and fiercely anti-communist general who personifies the callousness of Western imperialism in Asia, and who in his youth distinguished himself in the Philippines “pacification campaign” and US meddling in Mexico, and who was also happy to break up in 1932 the Depression-era veterans’ “bonus army” in Washington DC, has been the object of several hagiographic films designed to make him look as a sort of flawed hero, himself a victim of political chicanery, eventually forcing his retirement. The second feature, directed by a Briton, Terence Young, perhaps even more notorious than the previous one, was called Inchon. The most memorable aspect of this film is that it managed to convince Laurence Oliver to play MacArthur. The Wiki provides useful information: Reviewers at the time gave it consistently bad reviews and later commentators including Newsweek, TV Guide and Canadian Press have classed Inchon among the worst films of all time. While Peck’s participation in the first film could be attributed to the perennial propaganda fog and knee-jerk chauvinism that envelops all Americans, including of course liberals, Olivier left no doubt as to his clearly unethical motives. In an interview he was refreshingly honest about his motives. Again the Wiki:
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JAY JANSON, spent eight years as Assistant Conductor of the Vietnam Symphony Orchestra in Hanoi and also toured, including with Dan Tai-son, who practiced in a Hanoi bomb shelter. The orchestra was founded by Ho Chi Minh, and it plays most of its concerts in the Opera House, a diminutive copy of the Paris Opera. In 1945, our ally Ho, from a balcony overlooking the large square and flanked by an American Major and a British Colonel, declared Vietnam independent. Everyone in the orchestra lost family, "killed by the Americans" they would mention simply, with Buddhist un-accusing acceptance.. Read other articles by Jay. ![]()
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