American Sniper (Warner Bros. Pictures)
[dropcap]There must be[/dropcap] something wrong with a nation when it has to constantly invent its heroes. As if to neutralize in the American mind any unfavorable ramifications of the US government’s summary of the CIA torture report and the growing number of suicides among its veterans, we have another war story for national consumption. This time it’s the film “American Sniper” by Clint Eastwood, one of our most acclaimed directors. His “Sniper” is yet another reminder of how noble and fierce American soldiers are, also how “we won”.
Some critics of the film have weighed in on the racist, hate-filled language used by the hero, Chris Kyle: a killer who “saves lives”. Others reveal falsifications in the film treatment of Kyle’s autobiography and raise questions about his private life.
Unfortunately, for most Americans those criticisms really don’t matter. What attracts our public, and there are tens of millions of them, women as well as men, adults as well as children, is that this is a heroic story. And sniper Chris Kyle somehow represents worthy American ideals—patriotism, saving American lives, technical skill.
What most upsets me is that this highly popular film “American Sniper” is not at all unusual in its subject and theme. By chance I found myself on the History Channel last week, viewing another ‘sniper film’— “Sniper: Inside the Crosshairs”. This film, viewed almost 800, 000 times on YouTube, is a documentary. No apologies whatsoever here; soldiers interviewed speak with great pride in the skill with which they kill. The segment I viewed focuses on the high tech nature of sniper training and weaponry. (This “Sniper” is one of dozens available for people seeking such ‘history lessons’.)
We vehemently disagree with the author in some respects, like her admiration for Eastwood’s directorial talents, or the quality of American Sniper as a film, but we like a diversity of opinion to be heard in all matters of central cultural importance, hence we republish. —Eds.
These are the latest in a flood of war films and books, among them the award- winning “Hurt Locker”, that entertain, enhance the glamour of war, present a justified and ugly enemy target and leave viewers with the clear idea that ‘America won’. (At best, Iraqis– women and children only please–are presented as people who need US protection.)
Americans are fed a steady diet of war in a multitude of forms. Amazon.com’s algorithmic calculations based on my innocent web searches, sent me an unsolicited list of books. Most are autobiographies by American veterans-turned-literary-celebrities; two were biographies of US soldiers by journalists. If I wanted to learn about Iraq, Amazon advises, I could read these heroic accounts of the patriotism and the conscience of American veterans.
Thirty years ago, a decade after the end of the Viet Nam war, I found myself in an American university seminar where war was under discussion. When a student declared that (some foreign power) “was upset because we won the war”, no one corrected him, neither fellow students nor the presiding professor. I suspect that today, a survey of college-age Americans would likely reveal how they too believe the US won that war; the same may prove true in regards to America’s memory of Iraq.
Apart from historical accuracy, these films are simply damned entertaining. Clint Eastwood is a brilliant director. And you can bet his “American Sniper” is top priority for Carl, our promising military recruit.
Barbara Nimri Aziz is a New York based anthropologist and journalist. Find her work at www.RadioTahrir.org. She was a longtime producer at Pacifica-WBAI Radio in NY.
